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Artist Spotlight Bud Grace

30 years of Ernie/Piranha Club

A quick spotlight on 30 years of Bud Grace’s Piranha Club.

The last Piranha Club Sunday page – January 28, 2018.

When the comic strip started it was originally called “Ernie.”
Here’s the very first Ernie Sunday from February 7, 1988.

The strip’s name was changed to “Piranha Club” in 1998 (overseas it is still known as “Ernie”). Bud gave the reason for the change in this excerpt from a Q&A moderated by Suzanne Tobin of the Washington Post.

Bud Grace: ‘The reason is because we tried a promotion here in the States, and we thought that by changing name we might pick up some papers. That didn’t work, so now I’m going to change my name to Bill Watterson.”

From that same Q&A, when asked if there was any Robert Crumb influence in his drawing style, Bud responded,

I started drawing in an underground style, originally. While I can’t draw nearly as well as Robert Crumb, I’m not surprised you can see the influence. I was also influenced by underground cartoonist Kim Deitch.”

In 1989 Bud Grace received the the Adamson Award presented by the Swedish Academy of Comic Art as Best International Comic-Strip Cartoonist – and in 1993 he won the National Cartoonist Society’s Reuben Award for Best Newspaper Strip.

Bud Grace Fun Fact:

• Born in 1944, Bud Grace received a doctorate in physics from Florida State University before turning to cartooning.

From the National Cartoonist Society member album.


I was lucky enough to meet Bud Grace when I worked at King Features on staff as the colorist in the Comic Art Department. The cartoonists that didn’t come in regularly to drop stuff off (generally because they didn’t live near New York – we’re talkin’ pre-internet here) we’d get the chance to see if they stopped in before the annual King Features Christmas party.

Bud always reminded me of Groucho Marx when I’d see him at King. If you ever saw a Marx Brothers film, the energy would always pick up a notch when Groucho entered a scene. It was the same with Bud.

Bud Grace and fellow Comic Art department veteran Jerry Craft.
December of 1992.

When you worked in the Comic Art department at King you got to see the originals before they saw print. Here’s an example of an Ernie strip circa 1995 pre-edit.

Bud of course knew that the above strip wouldn’t make it through editorial without a change to the language in the last panel. That he sent it in anyway was what made him a favorite in the Comic Art Department up at King.

Here’s another example from 1995 where editorial actually made Bud change the drawing.


And so with the final strip on February 3, 2018, we bid adieu to the Piranha Club.

Fortunately we don’t have to say adieu to Bud Grace. You can still check in on Bud at BudGrace.com.

And for those interested in book collections of Ernie/Piranha Club dailies, here’s a heads up from Bud’s website…

“All the daily cartoons that were published plus many that were not. The 88-89-9o book has about 230 pages of comics. The 2017 book (Which also has the month of January 2018) has about 100 pages. The other books contain about 160 pages. The books are 8.5 by 11 inches, black and white.  The best price is direct from Lulu.

Lulu: Ernie and the Piranha Club

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Francesco Marciuliano Sally Forth

Francesco Marciuliano on 20 Years of Writing Sally Forth

Check out Francesco Marciuliano’s blog Medium Large
as he looks back on twenty years of writing the Sally Forth comic strip.
It Was 20 Years Ago Today

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Francesco Marciuliano Sally Forth

Ted’s Dad Dies

A little behind the scenes on today’s Sally Forth strip.

First, Francesco Marciuliano’s script for this strip.

Monday
Scene: ONE PANEL. Interior, Hospital Hallway. Same Day. Long shot down the Palliative Wing Hallway. In the distance we see Ted and his mom hugging. They are crying but we don’t see really see their faces or any cartoon tears.

Original art.

Dot screen and lettering done digitally in Photoshop.

Color specification mirror inks.


The decision for the halo of light around Ted and his Mother was decided on as I had already done a hallway scene on October 22 where I tried to convey how you can feel all alone in a crowded hallway.

For the November 6th strip with Ted and his Mom I didn’t want to show the hallway completely empty (hospitals never are), but at the same time how the rest of the world goes away at that moment.

Hopefully it read that way for the readers as well.

Francesco has given me a lot of leeway on how to portray these scenes throughout.
I appreciate the trust he has in me in doing so, and hope the decisions I made in the illustrations did the story he beautifully crafted justice.

-Jim Keefe

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Al Williamson

The Homecoming

The Homecoming
Author: Archie Goodwin
Art: Al Williamson
Creepy #112 (August 1979)
Reprinted in Creepy #137 (May 1982)

This is a story I was incredibly fortunate enough to see the original art to when I visited Al Williamson in October of 1998.

Al mentioned that Bruce Jones scripted the original concept (if I am remembering correctly), but after Al drew it he felt something was missing and shelved it. Al then talked to his good friend Archie Goodwin about it and Goodwin offered to rewrite it (changing the focus and making it much darker than the original).

It is one of my favorite Goodwin/Williamson collaborations.

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Steve Ditko

The Secrets of Spider-Man!

I just found out that my niece Heather thought that Spider-Man’s webbing is organic (like in the Tobey Maguire Spider-Man films) as opposed to a device that Peter Parker created.

For her to make this mistake is bad Uncle-ing on my part. So to rectify this I’m posting the following pages from the Amazing Spider-Man Annual #1 by Stan Lee and Steve Ditko, Spider-Man’s co-creators, and the ultimate authority on all things Spider-Man.

Enjoy!

Click on images to see larger.

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