It’s Hy Eisman’s 90th Birthday! (Born March 27, 1927)
I had Hy as a teacher for my first year of the Joe Kubert School (circa 1986-87). Hy taught lettering; which in those days meant Ames guide, a B6 lettering nib and india ink.
Hy was the kind of teacher you’d bring assignments to you’d been working on from other classes. His critiques had straightforward advice, with a little bit of biting wit thrown in for good measure. And if you paid attention and followed his advice, it made you a better artist. The class was INVALUABLE and had a real world payoff years later when I was doing the Flash Gordon comic strip.
Hand lettered Flash Gordon Sunday page from November 23, 1997.
A National Cartoonists Society Award winning cartoonist, Hy has worked for many different publishers over the years (Charlton, Marvel and Harvey to name a few) and has also worked on such classic comic strip characters as the Katzenjammer Kids andPopeye.
I point out his Syndicate work as I coincidentally get to work on Hy’s artwork as colorist. It’s been a privilege to be able to work on Hy’s comic strip work for all these years (Hy started on the Katzenjammer kids in 1986 – I’ve been colorist since 1989).
Color guide for September 4, 2016 Popeye strip.
To wrap up, here’s some links from around the web spotlighting Hy. Hope you enjoy!
Behind the Tracing Paper: Interview with Hy Eisman and Fernando Ruiz Filmed at the Kubert School in 2016.
What’s more to be said than…
The preceding pic is for a wall of birthday greetings to be displayed at the Kubert School. It was hand lettered to show Hy I’m not slacking off after all these years.
When you work on comic character that’s known worldwide the door to scam artists suddenly gets thrown wide open. Take the following…
Years ago, when I was doing Flash Gordon, I received a request for some drawings from a guy who had a sick grandma who grew up reading (insert character’s name here) – it was one of her favorites! He wanted one Flash Gordon drawing for his Grandma, and if possible, another two for his kids. The weird part? He wanted it on uncirculated sheets of two dollar bills.
Sounds fishy I know…
Regardless, I rolled the dice and thought it was quirky enough that it might actually be true – drawings sent.
Months later I got a letter from Popeye cartoonist Hy Eisman (one of my teachers from the Kubert School) informing me I had just been scammed. Enclosed with the letter was an insert from a catalog with cartoon art for sale. The art was drawn on (wait for it)… uncirculated sheets of two dollar bills.
Web version of catalog page.
And how did Hy Eisman find out about it?
Web version of catalog page.
Suffice it to say, my days of giving people the benefit of the doubt was over.
Now some people argue that once you give away a piece of art to a fan, what they then do with it is out of your hands. Well… that’s true – but to intentionally misrepresent why you want the art (sick relative) in order to flip it for profit is where that line of reasoning goes off the rails.
Al Williamson once told me a story of his disillusionment when he gave away a drawing to a young fan at a convention – only to find out later that the kid was a plant that a comic art dealer was sending around to scam cartoonists out of as much free art as possible.
Al Williamson in his studio inking a Star Wars movie adaptation – October 1998.
Now Al was known as one of the nicest guys in comics, so the kind of individual who would take advantage of his generosity can best be described with one word…
I’d also like to add that back in the day, it actually took some effort to scam artists as you had to resort to mass mailings, postage, etcetera. Today they can reach hundreds with just copy, paste, send.
And some of these scammers are just plain lazy. When I was doing Flash Gordon sometimes I would get email from a “fan” asking for artwork that never mentioned my name or the strip I did, but it would clearly state that they read my strip every day (it only appeared on Sunday) and they thought it was “one of the funniest strips around!”
Because Flash Gordon is primarily remembered for it’s zany slapstick gags…
That said, I’m not in the spotlight like some of the hot artists currently out there, so I can only imagine the headaches they have to deal with – be it Adam Hughes having to put a halt on convention sketches or Jimmy Palmiotti and Amanda Conner announcing a 5 book free signing limit. You can only be jerked around so much before you have to start putting up fences to safeguard yourself.
Another headache for cartoonists are hacks blatantly stealing their work and selling it as their own. The poster child for this kind of plagiarism being Rob Granito.
And for the outright bizarre there’s the case of Shia LaBeouf plagiarizing Daniel Clowes back in 2013 – then apologizing via a skywriter and tweeting a cryptic message…
CLOUD: – vapor floating in the atmosphere – remote servers used to SHARE DATA – to make LESS CLEAR or TRANSPARENT pic.twitter.com/jw9JlEi791
And I haven’t even touched on all the fake comic art on ebay…
These kind of activities have been brought to light more and more of late due to vigilant fans and pros putting a spotlight on these hacks via posts on the internet. And as the number of comic cons grow more needs to be done on the part of convention organizers to weed out these crooks.
But I digress…
Back to drawing requests… For the most part, time constraints prohibit me from fulfilling requests for sketches and donations for auctions. With the advent of e-mail, there are just too many requests and too little time.
And the thought of neglecting paying work so I can draw something for a “fan” who just wants something he can flip and put on ebay that he got from me for free..?
UPDATE… Commentary I’ve come across online since posting.
I am sorry that a few have ruined it for the rest of us. Years ago I was a comic con and Paul Gulacy was a guest. He was working on Shang-Chi for Marvel. My brother, and two of my cousins along with my self stood in line to get him to sign a book for us. We were 14 at the most. Two large men told all of us that Mr Gulacy had only time to sign one book each and we were to ask no questions of him. A third man with them was talking to Paul as we were waiting. He was having Paul draw a Shang -Chi. I had Mr. Gulacy sign one of my books and as I asked him if he would ever work on a Shadow book? I was glared at by all three as Paul stopped to speak to me.
Years later at a comic store the same man was showing off his collections of art, he was so proud of the fact that he would go to cons and have his two friends block others from asking for a sketch, autograph or ask questions, so he could have more time with the artist. It takes all kind!!
