Categories
Artist Spotlight Charles Schulz

Charles Schulz 1922-2000

Schulz_Charles.02

On the eve of his final strip being published, Charles Schulz passed away in his sleep at his home in Santa Rosa, California. He was 77 years old. When he was diagnosed with colon cancer in November of ’99 he decided to end the strip so he could concentrate on getting better. Deciding that the Peanuts comic strip would not continue without him at the helm, Schulz stipulated in his contract that the syndicate could not hire someone else to draw the strip in his place. The last daily appeared on January 3, 2000. The last Sunday, February 13, 2000.

FinalStrip

I was fortunate enough to meet Charles Schulz at the Reuben awards in New York back in 1996. Some common ground we shared was that we were both native Minnesotans. When I mentioned that I had just started doing Flash Gordon but it wasn’t in many papers, he responded by saying that when he first started Peanuts he wasn’t in too many papers either.

He was an inspiration to me growing up, not only because of his enormous talent, but because he was a native Minnesotan – someone from the same background who made it, who drew cartoons for a living. When interviewed by Whoopi Goldberg back in the ’90s, Schulz once said, “I always wanted to be suave. Y’know, I’m from Minnesota… there’s no suave people in Minnesota, it’s too cold.”

He may have not considered himself suave, but he was definitely a shining example of someone at the top of his field. Schulz put his whole heart and soul into his art, and because of that, Peanuts is the gold standard of how good a comic strip can be.

He’ll be sorely missed.

-Jim Keefe

Cartoon I drew November of '99 for a get well card.
Cartoon I drew November of ’99 for a get well card.
Categories
Artist Spotlight E. Simms Campbell

E. Simms Campbell – 1932 Map of Harlem

E. Simms Campbell (1906–1971)
The first African-American syndicated cartoonist, particularly known for his illustrations for Esquire magazine. – from Biography.com

Campbell.Pic

Pic from Ariel S. Winter’s blog.


The following is a map of Harlem he drew in 1932 – at the end of the Jazz age.

Campbell_Harlem

To see more of the detail, here’s a larger version you can click on.

Campbell_Harlem.large

For more on E. Simms Campbell, check out the following link from
the Billy Ireland Cartoon Library and Museum.
Found in the Collection: E. Simms Campbell Letters

There’s also a great retrospective at Ariel S. Winter’s blog.

Categories
Ramblings & Reviews

My Mutant Superpower

A quick picture of the bone spurt on the middle finger of my right hand from holding drawing tools for so many years.

My body mutates to suit my needs – just like the X-men!

bonespurt.2

And the yellow skin isn’t jaundice – it’s from watercolor.
Just saying…

Categories
Artists - Cartoonists Ramblings & Reviews

French Cartoonists Murdered

From Euronews: Spotlight on the murdered cartoonists.


Bios of the Victims – from the Los Angeles Times


Arab newspapers’reaction.


The following link is to an editorial by Ted Rall.

CharlieHebdoShooting

“I’d like to ask them: how weak is your faith, how lame a Muslim must you be,
to allow yourself to be reduced to the murder of innocents,
over ink on paper colorized in Photoshop?”

– Ted Rall


France.cartoonistsFour drawing instruments for the four cartoonists.
Thoughts and prayers to the friends and families of all the victims.

#JeSuisCharlie
#JeSuisCharlie

-Jim Keefe

Categories
Artist Spotlight Mike Mignola

Mike Mignola – Creating Your Own Work

“What keeps this industry alive is creators doing their own work. Once you change a costume or origin enough times, it’s a dead body — you’re just electrocuting it and keeping it sort of shambling on. There is a lot more creator-owned stuff now, and some of it I look at and go, “Oh, that’s his pitch for a TV show. That’s his pitch for a movie. That’s him saying oh, this kind of thing sells.” I didn’t do that. My one piece of advice to people who are saying “I wanna do it, but DC and Marvel pay so well…” is that in between your big paying gigs, just find time just to do one comic! It doesn’t have to be a 6000-page epic! It doesn’t have to be Hellboy! Ten years down the road, when you’re scrambling for work or drawing some book you hate, at least you did something when you had fire in your belly that’s really you.”

-Mike Mignola

To read the full interview, go to
The Playboy Conversation: Hellboy Creator Mike Mignola

Mignola_ArtofHellboy